Wednesday, October 17, 2012

I like to complain about first world problems.

Don’t ask me what type of dance I do.

There are many things you shouldn’t say in polite conversation. Besides the obvious taboos, however, the subject I am the most reluctant to mention is that I dance, for it brings up the topic of what type of dance I do. I am not embarrassed to do Kathak traditional Indian dance, and have no problem divulging it if the person who asked has no further comment. If, however, they ask me to expound, I am forced to embark on a very long-winded explanation of the dance form. Before I start a technical explanation, I usually have to correct the misconception of that when I dance, I bob my head like a pigeon while doing a somewhat less bouncy version of Gangnam Style. By the time I can describe the intricate movements and graceful twirls of a Kathak dancer, the slight smirk on my listener’s face has most likely been replaced by the scrunchy look of a yawn suppressed. If I am lucky, after an approximately ten minute monologue, the person who now regrets asking will consider the topic exhausted .
On occasion, I am not so fortunate. The second part of the explanation requires more time, and maybe even a piece or two of paper as I describe the difference between music composition in traditional India and in the modern West. The major problem I face is translation. While some things, such as the word for beat, matra, are easily adapted into English, concepts such as taal take much more time. Taal technically means clap, which is derived from how time is kept, and it is the equivalent of a time signature in Indian music. There are multiple ones, just as there are multiple time signatures, so much of our time in dance class is spent learning how to perform tukras and parans, two of many different types of pieces, on different types of taals. That is what the purest form of classical Kathak consists of. However, our school also performs different folk dances, modernized variations of Kathak, and occasionally Bollywood, so we learn much of that as well in class.
You didn’t ask, but I just finished telling you. It seems easier written than said; perhaps I am just reluctant to breach the topic based on past experience. I am afraid of stuttering or misusing words and injuring the sanctity of the dance form, and I am afraid of sounding pompous or condescending. Despite my vocal inflection and the look on my face as I try to find words to convey the ideas in my brain, that is really the last idea I would want to give. In short, I am just afraid of the effort all that talking will take and that it won’t be for anyone’s benefit.  

Regardless of the reason, don’t ask me what type of dance I do. I have decided that from now on, my answer will probably just be this link:

http://lmgtfy.com/?q=kathak+traditional+indian+dance.

Happy Googling.

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